This volume is the tenth in this biennial series which presents the recent research into the conservation, structure, materials, history etc. of paintings carried out by past and present staff and students of the Hamilton Kerr Institute.
Have a look inside the book
Preface
The Gothic murals of Angers Cathedral
Paul Binski, Emily Guerry, Lucy Wrapson and Chris Titmus
Woodworking and meaning in the Westminster Retable
Spike Bucklow
Treatment and characterisation of rood screen fragments from All Saintschurch, Wighton, Norfolk
Alice Limb, Lucy Wrapson and Kate Waldron
An investigation of Portrait of a Young Man by Hans Maler
Camille Turner-Hehlen, Christine Slottved Kimbriel and Nathan Daly
From Adoration to Resurrection: the reconstruction of Sebastiano delPiombo’s Adoration of the Shepherds
Youjin Noh and Rupert Featherstone
Sebastiano del Piombo’s Adoration of the Shepherds in context
Piers Baker-Bates
Sebastiano del Piombo’s Adoration of the Shepherds: attributionand dating
Paul Joannides
Double-take: Rembrandt’s c.1631 Old Man with a Gold Chain and itshighly exacting copy
Christine Slottved Kimbriel and Louis Newman, with contributions from Kamila Gora
Through the looking glass: tinted varnish in England c.1750–1900
Joanna Neville
Conservation through the media lens in 1920s and 1930s England: thecase of Stanley Kennedy North (1887–1942)
Camille Polknownik
Aspects of Duncan Grant’s early practice: repurposing, reuse andrefinement within the Bloomsbury artist’s oeuvre
Alice Limb and Justyna Kędziora
A novel joining system for disjoined boards using interlocking stripsof wood for a twentieth-century British panel painting by Duncan Grant
Justyna Kędziora
The influence of visual perception on the interpretation of technicalimages in conservation
Christine Braybrook
