This volume is the fourth in what is now to become a regular biennial publication which will present the recent research of past and present staff and students (including early career interns) of the Hamilton Kerr Institute in the conservation, structure, materials, history etc. of paintings.
Preface
Rupert Featherstone and Timothy Potts
Conservation and technical study of Siciolante da Sermoneta’s Deposition of Christ, from King’s College Chapel, Cambridge
Mary Kempski, Daniela Leonard, Emma Rebecca Boyce with Jean Michel Massing
Treatment of the triple portrait of John Lacy by John Michael Wright
Jenny Rose
East Anglian medieval church screens: a brief guide to their physical history
Lucy Wrapson
Notes on the technique of Eugène Boudin
Lara Broecke
In search of a nose for Anne of Cleves: on the restoration of a 16th century portrait and a reassessment of the sitter’s identity as Henry VIII’s German bride
Christine Slottved Kimbriel
The winter scenes of Abraham Hondius: ‘A Picture of Thames in Ye Great Frost’
Helen Brett
Lombardy, Leonardo and a long lost Piazza: conservation, technical study and an alternative attribution for a sixteenth-century Virgin and Child
Emma Rebecca Boyce
Processes and pigment recipes; azurite
Spike Bucklow and Renate Woudhuysen
