Hand in Hand: Collaboration in Art and Conservation

Foreword
Acknowledgements
Introduction 

The Venetian Painting Project: an interdisciplinary research study in the Alte Pinakothek in Munich
Ronja Emmerich, Anneliese Földes, Johanna Pawis, Annette Kranz, Andreas Schumacher, Eva Ortner, Jens Wagner, Jan Schmidt and Heike Stege 

Collaboration in the conservation of Baldassare Peruzzi’s Nativity
Olivia Stoddart, Marika Spring, Eugenia Geddes da Filicaia and Anne Stewart 

From record to image: creating The Field of the Cloth of Gold
Rosanna de Sancha, Claire Chorley and Claire Shepherd

Indigo: collaboration, collections, conservation, chemistry
Jenny Williamson, Cecile Charbonneau and Ann Hunter 

Bridging the gap: reconsidering the artist’s involvement in the conservation process
Virginia Nouwen, Yetunde Odediran, Olympia Diamond and Julia Nagle

A facsimile for a lady: Glasgow Museum’s Unfinished Portrait of an Unknown Lady
María José Prieto Pedregal

The lost Atlantic City: the discovery of a painting by Helen Saunders beneath Praxitella by Wyndham Lewis
Helen Kohn and Rebecca Chipkin 

Early Jackson Pollock: the conservation treatment of Naked Man with Knife, Tate collection
Francesca Secchi

Collaboration across centuries? Investigating the reworkings of Hexham Abbey’s ‘Ogle’ altarpiece
Alice Limb and Lucy Wrapson 

Distanced but connected: investigation and treatment of the Poynter cartoons from the Heritage Collections at UK Parliament
Chloe Head, Elsa Guerreiro, Caroline Babington, Guan-Lin Liu and Sergei G. Kazarian

Conserving chip by chip: collaborations and challenges in the conservation of a painting on chipboard
Andrei Azzopardi, David Frank Buġeja, Anthony Spagnol and Rachel Vella

Challenges for consolidation and cleaning Franciszka Themerson’s unvarnished white oil paintings: a case study, Abstract (1949)
Aviva Burnstock, Melissa Barton and Silvia Rita Amato