IIC 1992 Madrid Congress

Albert Eckhout’s Brazilian paintings

Ruth Baier, Barbara Berlowicz and Mads Chr. Christensen

Climatological analysis in relation to the conservation of a sixteenth-century Spanish polychrome wooden ceiling

Zdravko Barov, Thomas Frey and Steven Hoyt

Investigations on a mediaeval Spanish enamelled ciborium

Barbara Berrie and Shelley Sturman

Fra Ricardo Pilar’s Christ in Martyrdom in the Monastery of São Bento, Rio de Janeiro

Aviva Burnstock, Raymond White, Edson Motta and Simon Egan

The conservation of Spanish gilt leather – an introduction

Christopher Calnan

A contribution to the study of Aleijadinho, the most important sculptor in colonial Brazil

Beatriz Coelho

The collection of polychromed sculptures of the Museo Fray Pedro Bedón in Quito

Petrus de Vuyst and Juan Beltran

Conservation and restoration of the sword of Boabdil, King of Granada

M. Paz Fernandez-Bolanos and M. Isabel Herraez Martin

Technical examination of Pedro de Mena’s Magdalen

M.C. Garrido

General remarks on the painting technique of Velázquez and restoration carried out at the Museo del Prado

Carmen Garrido, Maria Teresa Davila and Rocio Davila

Technical examination and consolidation of the paint layers on a mudéjar coffered ceiling in the Convent of Santa Fe, Toledo

M.D. Gayo, E. Parra and A. Carrasson

The conservation and restoration of a processional image: The Christ of the Expiration

Teresa Gomez, Raimundo Cruz and Isabel Poza

The polychromed plasterwork of the Corral de Villalpando brothers

Teresa Gomez, Barbara Hasbach, Rocio Bruquetas, M. Luisa Gomez and Irene Arroyo

Technique and restoration of three sculptures by Pedro de Mena

Barbara Hasbach and Carmen Garrido

Masonry mortars in the Castillo de San Felipe del Morro, San Juan, Puerto Rico: a method for categorization

Judith M. Jacob and Gregory J. Cavallo

The conservation and iconography of Viceregal paintings and sculpture: old problems and new approaches

Bettina Jessell and Barbara von Barghahn

Chuc Nichim, the washing of the flowers – a look at traditional preservation practices

Kathryn Klein

How Spanish is ‘Spanish leather’?

Eloy Koldeweij

The conservation of wall paintings in Quito, Ecuador: two case studies

Ewa Marxen-Wolska and Jerzy Wolski

Mestre Piranga – study and conservation of Brazilian religious sculptures from the eighteenth century

Claudina Maria Dutra Moresi and Mara Solange Fantini

Technical analysis of illuminated manuscripts from the Library at the University of Valencia, Spain

Salvador Munoz Vinas and Eugene Farrell

A study of the effects of conservation treatment on the Fanshawe Archive

M. Odlyha, R.M. Walker and W.H. Liddell

The treatment of ancient Portuguese tiles

Joao Castel-Branco Pereira, Maria Manuela Malhoa Gomes and Deolinda Maria de Sousa Tavares

Colored glazes on silver-gilded surfaces

Jean D. Portell

Conservation and restoration of five coffered wooden ceilings

Pedro Querejazu

Analysis and conservation of three Hispano-Moresque textiles dating from the first half of the twelfth century

Camino Represa and Pilar Borrego

A case study of the conservation of the polychromed wooden choirloft of the seventeenth-century church at Carabuco, Bolivia

Carlos Rua and Anton Rajer

Original protective renderings in the Cathedral of León

M. Ruiz de Anton, P. Luxan , I. Sanchez de Rojas and F. Dorrego

Problems of adhesion between support and ground layers in polychrome wooden sculptures in Guatemala

M.V. Saccarello, P. Bensi and E. Pedemonte

The conservation of the mudéjar templete at the Royal Monastery of Our Lady of Guadalupe, Extremedura (Caceres), Spain

Lorraine Schnabel and Glenn Boornazian

Textile conservation in Spain

Ana Schoebel

Spanish colonial and indigenous platinum: a historical account of technology and fabrication

David A. Scott

The Matriz of Catas Altas, Minas Gerais, Brazil: techniques, materials and style

Luiz A.C. Souza, Adriano R. Ramos and Cristina Avila

The conservation and technical examination of some Spanish lustre ceramics

Norman H. Tennent, Thomas Baird, Janette Kerr and Mandy Slager

Evaluation of disinfection techniques for the conservation of polychrome sculpture in Iberian museums

Nieves Valentin, Montse Alguero and Carmen Martin de Hijas

The technique and treatment of the St Michael Weighing Souls in the Royal Convent of Santa Clara, Toledo, Spain

Z. Veliz, C. Babington, M.C. Gonzalez and A. Illan

Examination and treatment of a seventeenth-century Spanish polychrome sculpture by Jose Caro

Rosamond Westmoreland and Theo-Antoine Hermanes

Approach to the conservation of a Mexican saddle and anquera

Barbara Wills, Yvonne Shashoua and Dean Sully