IIC 2004 Bilbao Congress

Glasgow's Burell Collection: experiences from twenty years of a new museum

Norman H. Tennent

Launching a new museum: upward displacement air-conditioning and computer-controlled daylight illumination

Andreas Burmester, Marcus Herdin, Albert Meyer and Robert Ottitisch

Into the new millennium: conservation input for four twenty-first century arts buildings

Thomas Dixon

The Museum of Scotland and conservation issues of commissioned art

James Tate, David Clarke, Helen Spencer and Belén Cobo Del Arco

Anselm Kiefer at the Guggenheim Museum Bilbao: towards a new methodology for the preventive conservation of contemporary artworks

Silvia Lindner, Ana Vitoria and Laura Alba

Handling White Cube

Tom Hale

Meaning matters: collaborating with contemporary artists

Laura Davies and Jackie Heuman

Textile or art? The conservation, display and storage of modern textile art

Ann French

Reworking an interior sketchbook: the conservation and display of 'rød og blå' Anamorphosis

Lorraine Maule, Marianne Torp and Troels Filtenborg

Conserving junk and movement: machines by Jean Tinguely

Reinhard Bek

The management of display equipment in time-based media installations

Pip Laurenson

Readymade - made ready: the treatment of Marcel Duchamp's Why Not Sneeze Rose Sélavy?

Roger Griffith and Kate Moomaw

Conservation of a work by Soto: treatment of iron corrosion on paint

Hubertus A. Ankersmit, Rebecca Timmermans and Sandra Weerdenburg

The conservation of four monumental shuttlecocks

Paul L. Benson

The maladies of mill-produced metal in modern art

Eleonora E. Nagy

The conservation of Arp's bronzes: preserving the sculpture's history or the artist's intent?

Martha C. Singer and Valerie Fletcher

The works of John DeAndrea: an evolution of techniques, materials and stability

Jessica Fletcher, Kristine Jeffcoat, Carl Patterson and Sharon Blank

Operation Panamarenko

Claartje Van Haaften

The AXA Art Conservation Project in cooperation with the Vitra Design Museum: research into glassfibre-reinforced polyester

Kathrin Kessler, Thea Van Oosten and Henk Van Keulen

Modern plastics: do they suffer from the cold?

Yvonne Shashoua

Weighing the options: analysis and treatment of Paul Thek's Fishman as a vehicle for public education

Tatiana Ausema, Susan Lake and Walter Hopwood

The degradation of polyester polyurethane: preliminary study of 1960's foam-laminated dresses

Doon Lovett and Dinah Eastop

Living artist, living artwork? The problem of faded colour photographs in the work of Ger van Elk

Sanneke Stigter

The big picture: conservation research program for contemporary color photographs

Lee Ann Daffner and Christopher McGlinchey

Mounting substrates for contemporary photographs

Sylvie Pénichon

Creative collaborations: preservation dialogues between artists and fine art publishers

Kristi Dahm and Margo McFarland

Creating an illusion: the complexities of conserving working drawings by Bridget Riley

Sophia Fairclough and Caroline Harrison

Kaleidoscopic exuberance and colour asceticism: Edelfelt's Portrait of Ackté

Tuulikki Kilpinen and Marina Catani

Les demoiselles d'Avignon: core of Picasso's laboratory

Michael Duffy

A technical investigation of paints used by Jackson Pollock in his drip or poured paintings

Susan Lake, Eugena Ordonez and Michael Schilling

Intuition and the incidental: the paintings of Barnett Newman

Suzanne Penn

Unusual substitute materials in paintings, based on the example of Socialist Realism in eastern Europe

Iwona Szmelter and Jacek Gramatyka

The conservation of Beat Art, with a focus on Jay Defeo

Niccolo Caldararo

Pop revisited: the collage and assemblage work of Tom Wesselmann

Daria Keynan

The restoration of a group of works of art by Piero Gilardi

Antonio Rava, Roberta Verteramo and Oscar Chiantore

Reversal versus retirement: study and treatment of Black Painting, 1960-66 by Ad Reinhardt

Carol Stringari, Ellen Pratt and Christopher McGlinchey

Analysis of the painted œuvre of Jean-Paul Riopelle: from oil to mixed media

Marie-Claude Corbeil, Kate Helwig and Jennifer Poulin

Palermo at work

Pia Gottschaller

Josef Alber’s monumental Homage to the Square

James Hamm

Conservation of murals in the Alameda Theatre: reviving former cutting-edge fluorescent paint and black-light technology

Jia-Sun Tsang, Sarah Eleni Pinchin, Killis Almond and Charles S. Tumosa

America’s colormen: Bocour, Levison, Gamblin, and Golden

Joyce Hill Stoner

ASTM International standards for artists’ materials and their effects on modern paints

Mark D. Gottsegen

Characterization of alkyd paint media by gas chromatography – mass spectrometry

Michael R. Schilling, Joy Keeney and Tom Learner

The migration of surfactants in acrylic emulsion paint films

Shawn Digney-Peer, Aviva Burnstock, Tom Learner, Herant Khanjian, Frank Hoogland and Jaap Boon

Sharing knowledge for the conservation of contemporary art: changing roles in a museum without walls?

Ijsbrand Hummelen and Tatha Scholte

Poster summaries