IIC 2012 Vienna Congress - The Decorative

Special Issue Articles

Ceramic rivet repair: History, technology and conservation approaches

Kasi Albert

Decorative reverse-painted glass objects from the fourteenth to twentieth centuries: An overview of the binding media

Ursula Baumer, Irene Fiedler, Simone Bretz, Hans-Ji:irg Ranz, Patrick Dietemann

Metal sarcophagi of the Habsburg Imperial Crypt, Church of the Capuchin Friars, in Vienna, Austria: Analysis of surface coatings

Tatjana Bayerova, Vaclav Pitthard, Martina Grieper, Martina Grieper-Sterrnscheg

Kitchen Stories: Cuisine Atelier Le Corbusier, type 1

Tim Bechthold, Julia Reischl

Investigation and conservation of a panoramic wallpaper Les Vues du Bresil from 1829

Ulrike Brichzin, Christoph Herm

A room transposed: A technical and historical study of the King's Room, Westwood Manor, Wiltshire, UK

Aviva Burnstock, Christine Sitwell, Catherine Daunt, Sarah Freeman

Marcel Duchamp's Boftes-en-valise: Collaboration and conservation

Brenna Campbell, Elodie Leveque, Erin Jue

X-ray fluorescence applied to overglaze enamel decoration on eighteenth- and nineteenth-century porcelain from central Europe

Francesca Casadio, .Aniko Bezur, Kelly Domoney, Katherine Eremin, Lynn Lee, Jennifer L. Mass, Andrew Shortland, Nicholas Zumbulyadis

The conservation of two pietre dure and gilt-bronze mounted cabinets made by Domenico Cucci for Louis XIV

Yannick Chastang

Decorative art or art practice? The conservation of textiles in the Kurdish Autonomous Region of Iraq

Anne-Marie Deisser, Lolan Sipan

Indigo carmine: Understanding a problematic blue dye

Matthijs de Keijzer; Maarten R. van Bommel, Regina Hofmann-de Keijzer, Regina Knaller, Edith Oberhumer

Design, digitization, discovery: Enhancing collection quality

Dinah Eastop, Anna E. Bulow, Agnes W. Brokerhof

Characterization and conservation of the decorative paint on seventeenth-century French and Flemish harpsichord soundboards

Jean-Philippe Echard, Christine l.aloue, Isabelle Chochod, Daniele Pipitone

Images can speak louder than words: Communicating conservation effectively

Kathryn (Kate) Gill

Re-evaluation of French Renaissance furniture at The Frick Collection, New York, USA

Joseph Godla

Peeling back the layers: Eileen Gray's brick screens

Roger Griffith, Margo Delidow, Chris McGlinchey

The Ermlitz project: Conservation and mounting of 310 square metres of painted wall hangings

Ursula Haller, Stephanie Hilden, Karin Kruger

Technical examination of enamels from the Botkin collection

Eva Helfenstein, Katherine Eremin, Richard Newman, Glenn Gates, Terry Drayman-Weisser, Cathy Selvius DeRoo, Philip Klausmeyer, Ian Freestone

Exposed and unseen: Management of public immovable art

Karin Herrneren, Henrik Orrje

A new look at the St Wenceslas sculpture in St Vitus Cathedral, Prague, Czech Republic

Petr Justa, Tatjana Bayerova, Karol Bayer

The conservation of two Baccarat crystal torcheres at the Shangri La Doris Duke Foundation for Islamic Art Honolulu,Hawaii, USA

Stephen P. Koob, Linda Cue

A 'once in a lifetime' experience: 'Conservation in action' for Thornhill's wall paintings at Hanbury Hall, Worcestershire, UK

Katy Lithgow, Nicky Boden, Michelle Hill, Richard Lithgow, Kate Measures

Understanding silver hollow wares of the eighteenth and nineteenth centuries: Is there a role for X-ray fluorescence?

Jennifer L. Mass, Catherine P. Matsen

The Umling painter-carpenter workshop in Transylvania

Ferenc Mihaly, Marta Guttmann

When Spain dictated fashion: A Hungarian lady's richly decorated garments, c.1600

Katalin E. Nagy, Andrea Varfalvi

Scientific investigation and study of the sixteenth-century glass jewellery collection of Archduke Ferdinand II

Eva Putzgruber, Marco Verita, Katharina Uhlir, Bernadette Fruhmann, Martina Grielser, Gabriela Krist

Image analysis-aided light microscopy of glazed ceramics: Identifying technological innovation and style

Chandra L. Reedy

The Waldenburg Beakers and Johann Kunckel: Analytical and technological study of four corner-cut coloured glasses

Rainer W. Richter, Christian Neelmeijer

Featherwork: Beyond decorative

Renee Riedler, Ellen Pearlstein, Molly Gleeson

Zwischengoldglas: Technology of production, material analyses and conservation

Eva Rydlova, Ivana Kopecka

Edvard Munch's monumental sketches (1909-1916) for the Aula of Oslo University, Norway: Conservation issues and treatments

Erika Gohde 5andbakken, Eva 5torevik Tveit

Purely decorative? Technical analysis of a fifteenth-century northern European parade shield

Katy Sanders, Lynne Harrison, Catherine Higgitt, Christina Young

Connoisseurship, aesthetics, and ethics: Factors influencing the conservation of the decorative arts

Sandra Smith, Alan Derbyshire, Victoria Oakley

Use it or lose it: The opportunities and challenges of bringing historic places to life

Sarah Staniforth, Helen Lloyd

Underfoot and overlooked: Conservation treatment of eighteenth- and nineteenth-century British carpets in historic houses

Heather Tetley

Lessons learned from conserving metal thread embroidery in the Esterhazy Collection, Budapest, Hungary

Marta Toth

Faded glory: Gemstone simulants and enhancements

Joanna Whalley

Examination of the wall paintings in Tutankhamen's Tomb: Inconsistencies in original technology

Lori Wong, Stephen Rickerby, Alan Phenix, Amarilli Rava, Rasha Kamel

Tin relief on thirteenth-century Cypriot wall painting: Technology and conservation

Elizabeth Woolley, Jilleen Nadolny, Lisa 5hekede

Poster summaries