IIC Reviews in Conservation, Volumes 1-10

Volume 1

Literature that addresses the characterization and the conservation of portrait miniatures

Carol Aiken

A survey of the conservation literature relating to the development of aqueous gel cleaning on painted and varnished surfaces

Narayan Khandekar

Transparent papers: a technological outline and conservation review

Claude Laroque

Rock art conservation and management: the past, present and the future options

Ian MacLeod

Wet cleaning of historical textiles: surfactants and other wash bath additives

Ã?gnes Tímár Balázsy

Technology and deterioration of vitreous mosaic tesserae

Marco Verità

The repair of parchment: Filling

Jan Wouters

Volume 2

The analysis of medieval European manuscripts

Mark Clarke

The deterioration of silver alloys and some aspects of their conservation

Virginia Costa

A literature review of cyanoacrylate adhesives

Jane L. Down

Review of CCI research on epoxy resin adhesives for glass conservation

Jane L. Down

The cleaning of paintings: effects of organic solvents on oil paint films

Alan Phenix and Ken Sutherland

Heritage conservation in the Pacific Islands

Neal Putt

The verisimilitude of verdigris: a review of the copper carboxylates

David A. Scott, Yoko Taniguchi and Emi Koseto

Raman microscopy in art history and conservation science

Gregory D. Smith and Robin J.H. Clark

Volume 3

The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s

Paul Ackroyd

Palm leaf manuscripts of the world: material, technology and conservation

Anupam Sah

Contemporary theory of conservation

Salvador Muñoz Viñas

The role of microorganisms in the degradation of cultural heritage

Orio Ciferri

The materials used by British oil painters throughout the nineteenth century

Joyce H. Townsend

Late Classical and Hellenistic painting techniques and materials: a review of the technical literature

Ioanna Kakoulli

Guidelines for authors

Volume 4

Conservation concerns for acrylic emulsion paints

Elizabeth Jablonski, Tom Learner, James Hayes and Mark Golden

A review of selected inorganic consolidants and protective treatments for porous calcareous materials

Eric Hansen, Eric Doehne, John Fidler, John Larson, Bill Martin, Mauro Matteini, Carol Rodríguez-Navarro, Eduardo Sebastián Pardo, Clifford Price, Alberto de Tagle, Jeanne Marie Teutonico and Norman Weiss

Pyrite oxidation: the conservation of historic shipwrecks and geological and palaeontological specimens

Dymphna Fellowes and Paul Hagan

The first century of published scientific analyses of the materials of historical painting and polychromy, circa 1780-1880

Jilleen Nadolny

Preparation of cross-sections from easel paintings

Narayan Khandekar

Laser cleaning of stone materials: an overview of current research

Carlos Rodríguez-Navarro, Kerstin Elert, Eduardo Sebastián, Rosa Maria Esbert, Carlota Maria Grossi, Araceli Rojo, Francisco Javier Alonso, Modesto Montoto and Jorge Ordaz

Corrections and clarifications

Guidelines for authors

Volume 5

The development of upholstery conservation as a practice of investigation, interpretation and preservation

Kathryn Gill

Traditions and trends in furniture conservation

Antoine M. Wilmering

Holographic and speckle methods for the analysis of panel paintings. Developments since the early 1970s

Dario Ambrosini and Domenica Paoletti

The behaviour of water in porous building materials and structures

Robyn Jiske Pender

Organic materials in wall paintings: the historical and analytical literature

Francesca Casadio, Ivana Giangualano and Francesca Piqué

Instructions for authors

Corrections and clarifications

Volume 6

The practical application of air-path X-ray fluorescence spectrometry in the analysis of museums objects

Lisha Deming Glinsman

Phthalocyanine and quinacridone pigments: their history, properties and use

Suzanne Quillen Lomax

The occurrence of rock varnish on stone and ceramic artefacts

Caitlin O’Grady

The influence of lead ions on the drying of oils

Charles S. Tumosa and Marion F. Mecklenburg

Lead and its alloys: metallurgy, deterioration and conservation

Virginia Costa and Françoise Urban

Deformation and strain measurement techniques for the inspection of damage in works of art

Janice M. Dulieu-Barton, Leonidas Dokos, Dinah Eastop, Frances Lennard, Alan R. Chambers and Melin Sahin

Instructions of authors

Volume 7

Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications

Christian Fischer and Ioanna Kakoulli

Theories about the Eyckian painting medium from the late-eighteenth to the mid-twentieth centuries

Elise Effmann

Indoor air pollution in museums: prediction models and control strategies

Morten Ryhl-Svendsen

Preserving image and structure: tapestry conservation in Europe and the United States

Frances Lennard

The degradation of oil painted copper surfaces

Lydia-Chara Pavlopoulou and David Watkinson

Testing methods and criteria for the selection/evaluation of products for the conservation of porous building materials

Marisa Laurenzi Tabasso and Stefan Simon

Removing charged species from porous archaeological material: diffusion, electromigration, electrophoresis and electro-osmosis in fully immersed objects

Lyndsie S. Selwyn and W. Ross McKinnon

Instructions for authors

Volume 8

The vicissitudes of vivianite as pigment and corrosion product

David A. Scott and Gerhard Eggert

Australian Aboriginal bark paintings: their history, structure and conservation

Beata Tworek-Matuszkiewicz

The chemistry of East Asian Lacquer: A review of the scientific literature

Carolyn McSharry, Rupert Faulkner, Shayne Rivers, Milo S.P. Shaffer and Tom Welton

A review of the phenomenon of lead white darkening and its conversion treatment

Stephanie M. Lussier and Gregory D. Smith

Animal glues: a review of their key properties relevant to conservation

Nanke C. Schellmann

Synthetic organic dyes, 1856-1901: an introductory literature review of their use and related issues in textile conservation

Jennifer C. Barnett

Instructions for authors

Volume 9

Weighted silk: history, analysis and conservation

Marei Hacke

The uses of cyclododecane in conservation

Sophie Rowe and Christina Rozeik

Techniques for monitoring moisture in walls

Sarah Eleni Pinchin

Unstable historic glass: symptoms, causes, mechanisms and conservation

Jerzy J. Kunicki-Goldfinger

The chemistry of sodium dithionite and its use in conservation

Lyndsie Selwyn and Season Tse

Identification of selected vegetable textile fibres

Debra Carr, Natasha Cruthers, Catharine Smith and Tom Myers

Instructions for authors

Volume 10

Lime-based injections grouts for the conservation of architectural surfaces

Beril Biçer-Åžimsir, Isobel Griffin, Bénédicte Palazzo-Bertholon and Leslie Rainer

Approaches to the reintegration of paint loss: theory and practice in the conservation of easel paintings

Kim Muir

The effects of wet surface cleaning treatments on acrylic emulsion artists’ paints – a review of recent scientific research

Bronwyn Ormsby and Tom Learner

Ultrasonic testing for the investigation and characterization of stone - a non-destructive and transportable tool

Abdelraheem Ahmad, Marisa Pamplona and Stefan Simon

Instructions for authors