IIC Reviews in Conservation, Volumes 1-10
Editors Marika SpringFi Jordan
The price listed is per set of Volumes 1-10. Archetype no longer has individual volumes to sell.
Volume 1
Literature that addresses the characterization and the conservation of portrait miniatures
Carol Aiken
A survey of the conservation literature relating to the development of aqueous gel cleaning on painted and varnished surfaces
Narayan Khandekar
Transparent papers: a technological outline and conservation review
Claude Laroque
Rock art conservation and management: the past, present and the future options
Ian MacLeod
Wet cleaning of historical textiles: surfactants and other wash bath additives
Ã?gnes Tímár Balázsy
Technology and deterioration of vitreous mosaic tesserae
Marco VeritÃ
The repair of parchment: Filling
Jan Wouters
Volume 2
The analysis of medieval European manuscripts
Mark Clarke
The deterioration of silver alloys and some aspects of their conservation
Virginia Costa
A literature review of cyanoacrylate adhesives
Jane L. Down
Review of CCI research on epoxy resin adhesives for glass conservation
Jane L. Down
The cleaning of paintings: effects of organic solvents on oil paint films
Alan Phenix and Ken Sutherland
Heritage conservation in the Pacific Islands
Neal Putt
The verisimilitude of verdigris: a review of the copper carboxylates
David A. Scott, Yoko Taniguchi and Emi Koseto
Raman microscopy in art history and conservation science
Gregory D. Smith and Robin J.H. Clark
Volume 3
The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s
Paul Ackroyd
Palm leaf manuscripts of the world: material, technology and conservation
Anupam Sah
Contemporary theory of conservation
Salvador Muñoz Viñas
The role of microorganisms in the degradation of cultural heritage
Orio Ciferri
The materials used by British oil painters throughout the nineteenth century
Joyce H. Townsend
Late Classical and Hellenistic painting techniques and materials: a review of the technical literature
Ioanna Kakoulli
Guidelines for authors
Volume 4
Conservation concerns for acrylic emulsion paints
Elizabeth Jablonski, Tom Learner, James Hayes and Mark Golden
A review of selected inorganic consolidants and protective treatments for porous calcareous materials
Eric Hansen, Eric Doehne, John Fidler, John Larson, Bill Martin, Mauro Matteini, Carol Rodríguez-Navarro, Eduardo Sebastián Pardo, Clifford Price, Alberto de Tagle, Jeanne Marie Teutonico and Norman Weiss
Pyrite oxidation: the conservation of historic shipwrecks and geological and palaeontological specimens
Dymphna Fellowes and Paul Hagan
The first century of published scientific analyses of the materials of historical painting and polychromy, circa 1780-1880
Jilleen Nadolny
Preparation of cross-sections from easel paintings
Narayan Khandekar
Laser cleaning of stone materials: an overview of current research
Carlos Rodríguez-Navarro, Kerstin Elert, Eduardo Sebastián, Rosa Maria Esbert, Carlota Maria Grossi, Araceli Rojo, Francisco Javier Alonso, Modesto Montoto and Jorge Ordaz
Corrections and clarifications
Guidelines for authors
Volume 5
The development of upholstery conservation as a practice of investigation, interpretation and preservation
Kathryn Gill
Traditions and trends in furniture conservation
Antoine M. Wilmering
Holographic and speckle methods for the analysis of panel paintings. Developments since the early 1970s
Dario Ambrosini and Domenica Paoletti
The behaviour of water in porous building materials and structures
Robyn Jiske Pender
Organic materials in wall paintings: the historical and analytical literature
Francesca Casadio, Ivana Giangualano and Francesca Piqué
Instructions for authors
Corrections and clarifications
Volume 6
The practical application of air-path X-ray fluorescence spectrometry in the analysis of museums objects
Lisha Deming Glinsman
Phthalocyanine and quinacridone pigments: their history, properties and use
Suzanne Quillen Lomax
The occurrence of rock varnish on stone and ceramic artefacts
Caitlin O’Grady
The influence of lead ions on the drying of oils
Charles S. Tumosa and Marion F. Mecklenburg
Lead and its alloys: metallurgy, deterioration and conservation
Virginia Costa and Françoise Urban
Deformation and strain measurement techniques for the inspection of damage in works of art
Janice M. Dulieu-Barton, Leonidas Dokos, Dinah Eastop, Frances Lennard, Alan R. Chambers and Melin Sahin
Instructions of authors
Volume 7
Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications
Christian Fischer and Ioanna Kakoulli
Theories about the Eyckian painting medium from the late-eighteenth to the mid-twentieth centuries
Elise Effmann
Indoor air pollution in museums: prediction models and control strategies
Morten Ryhl-Svendsen
Preserving image and structure: tapestry conservation in Europe and the United States
Frances Lennard
The degradation of oil painted copper surfaces
Lydia-Chara Pavlopoulou and David Watkinson
Testing methods and criteria for the selection/evaluation of products for the conservation of porous building materials
Marisa Laurenzi Tabasso and Stefan Simon
Removing charged species from porous archaeological material: diffusion, electromigration, electrophoresis and electro-osmosis in fully immersed objects
Lyndsie S. Selwyn and W. Ross McKinnon
Instructions for authors
Volume 8
The vicissitudes of vivianite as pigment and corrosion product
David A. Scott and Gerhard Eggert
Australian Aboriginal bark paintings: their history, structure and conservation
Beata Tworek-Matuszkiewicz
The chemistry of East Asian Lacquer: A review of the scientific literature
Carolyn McSharry, Rupert Faulkner, Shayne Rivers, Milo S.P. Shaffer and Tom Welton
A review of the phenomenon of lead white darkening and its conversion treatment
Stephanie M. Lussier and Gregory D. Smith
Animal glues: a review of their key properties relevant to conservation
Nanke C. Schellmann
Synthetic organic dyes, 1856-1901: an introductory literature review of their use and related issues in textile conservation
Jennifer C. Barnett
Instructions for authors
Volume 9
Weighted silk: history, analysis and conservation
Marei Hacke
The uses of cyclododecane in conservation
Sophie Rowe and Christina Rozeik
Techniques for monitoring moisture in walls
Sarah Eleni Pinchin
Unstable historic glass: symptoms, causes, mechanisms and conservation
Jerzy J. Kunicki-Goldfinger
The chemistry of sodium dithionite and its use in conservation
Lyndsie Selwyn and Season Tse
Identification of selected vegetable textile fibres
Debra Carr, Natasha Cruthers, Catharine Smith and Tom Myers
Instructions for authors
Volume 10
Lime-based injections grouts for the conservation of architectural surfaces
Beril Biçer-Åžimsir, Isobel Griffin, Bénédicte Palazzo-Bertholon and Leslie Rainer
Approaches to the reintegration of paint loss: theory and practice in the conservation of easel paintings
Kim Muir
The effects of wet surface cleaning treatments on acrylic emulsion artists’ paints – a review of recent scientific research
Bronwyn Ormsby and Tom Learner
Ultrasonic testing for the investigation and characterization of stone - a non-destructive and transportable tool
Abdelraheem Ahmad, Marisa Pamplona and Stefan Simon
Instructions for authors

ISBN /ref number: REVIEWS/IIC
Binding Paperback
Dimensions 297 x 210mm
Illustrations 28 colour, 219 halftone
Published December 2011
Price £75.00